ELECTRONIC COMPOSITIONS (back) (home)

The Unthinkable (1988-89) 6’25”
(After Matta part 4/4)
2 channels
produced at UPIC, Paris
fp 27 January 1989, London
(listen)

Zungenentwurzeln (1996-97) 5’33”
(from Opening of the Mouth)
2 channels
realised at the Instituut voor Sonologie (Den Haag) and STEIM (Amsterdam)
fp 11 March 1997, Sydneyn
(listen)

Landschaft mit Urnenwesen (1996-97) 15’03”
(from Opening of the Mouth)
2 channels
realised at the Instituut voor Sonologie (Den Haag) and STEIM (Amsterdam)
(listen)

Katasterismoi  (1998-99) 10’00”
(from DARK MATTER)
2 channels
fp 3 June 1999, Den Haag
(listen)

involuntary I (1999) 1’13”
2 channels
fp 6 May 2005, Berlin

involuntary II (2002) 3’
music for the animated film Entrance by Rosie Pedlow, commissioned by S4C
2 channels
fp 6 May 2005, Berlin

pralaya (2003) at least 10’
(from DARK MATTER)
4 channels, each playing a "loop" of a different duration
(listen)

involuntary III (2003) 4’33”
2 channels
fp 6 May 2005, Berlin

Simorgh  (2010) 11’
(from CONSTRUCTION: resistance & vision part 8/8)
commissioned by Inventionen 2010
8 channels
fp 29 July 2010, Berlin
(listen)

strange lines and distances  (2005-11) 2’
(from CONSTRUCTION: resistance & vision part 8/8)
text by Francis Bacon (The New Atlantis), spoken by Siân Wassermann
8 channels
commissioned by the City of Liverpool
(listen)

quasicrystal  (2012) 3’06"
6 channels
fp 29 June 2012, Villa Elisabeth, Berlin
(listen)

arboreal  (2012) 8'30"
(from life-form for cello and electronics)
8 channels
fp 28 November 2013, Den Haag
(download .zip containing the eight 48kHz/24 bit mono tracks (514 MB) - note: channel numbering is clockwise!)
(listen)

equale - collaborative composition with Kees Tazelaar (2013) 16'16"
8 channels
fp 20 July 2013, Elisabethkirche, Berlin

epiphyte  (2016) 4'00"
2 channels
fp 2 October 2016, Strasbourg
(listen)